I had the privilege to watch this show last year for the first time and I was completely blown away by it. I still think about it from time to time and it is easily my favourite show ever. Every actor is great and every single character in it is likeable (despite their flaws) and the show is proof that not everything has to be edgy, dark, gritty and have a murder in it to be good.
The writing is phenomenal. Sure, some things wouldn't get past studio execs these days but it holds up very well and there is a spirituality and positivity about it that sticks with you long after you finish watching the 110 episodes.
Such a great show, but difficult to classify. No drama, action or nailbites, no big belly laughs, more like smiles and chuckles. I was just a little happier after having watched most episodes.
Very few shows like that, but Ted Lasso actually reminded me a lot of NEX in how it made me feel.
I classify it as the peak 'existential comedy' around which all others navigate. I think there isn't a single episode that doesn't have meaning of life/death as at least a minor theme.
Another one with a similar feel is Bridget Christie's The Change, which she has cited Northern Exposure and Detectorists as inspirations.
Just started watching Widow's Bay, which to me has a similar vibe, but a much better hook: folk horror as the plot driver.
I can't watch Northern Exposure anymore. It's too alienated from the modern world, it feels like an artifact from a different civilization rather than anything I can relate to now, which is sad.
I don't know if it quite meets the criteria, but I really enjoyed Lodge 49, particularly after watching awful people doing awful things in Succession. I've also enjoyed everything that Steve Conrad has made, for similar feel-good reasons.
There's a conversation Chris has in an episode called Heal Thyself, I think, where Maggie buys a washer dryer and won't need to go to the laundromat anymore.
Chris reflects that in the future we won't need a lot of things that are part of society, due to technology like fibre optics. We'll watch cinema at home, and he wonders what will happen to these accidental social moments we have in places like cinemas and laundromats.
It was prescient, but the other part of Northern Exposure that sticks with me is the viewer is expected to sit through Chris's other conversations on the radio about Whitman, Jung, mythology, the nature of death, and other philosophical and artistic references.
I enjoy rewatching Northern Exposure, but it's sometimes disturbing how alien it feels today.
This episode is just one of the gems and if I remember correctly Maggie eventually returns the washer because she misses the social interaction.
I'd have to respectfully disagree and feel the show holds up surprisingly well when you stick with it and forgive it the sort of things you would find in shows of that time. It's like a refuge from the dark and gritty stuff that you can't escape on streaming platforms these days.
Find the German or UK international DVD release for original music. Region 1 DVDs have replacement music for licensing reasons, and it changes the show for the worse.
This is a whole thing tracked by r/northernexposure — apparently the version that was until recently included with Prime had maybe ~80% of the original music. And https://moosechick.com/ claims that the UK Blu-rays have all the original songs. More discussion at https://reddit.com/r/northernexposure/search/?q=music
Well I was excited to talk about how Sasha and Digweed produced one of the greatest prog house mixes of all time, but ... I suppose I now have another show to add to my to-watch list.
I thought the same before I did the math: 2015 − 25 means too early for that 1996 release. But describing Sasha & John Digweed’s Northern Exposure as “progressive house” feels anachronistic, and Sasha at least is known to dislike that label (IIRC, he said something along the lines of “The term was made up by a wanker who didn’t even like the music.”)
No artist likes to have a marketing label attached to their work, even though it helps with branding. So I'm not surprised that Sasha wasn't a fan of the term.
But both him and Digweed did pioneer a unique sound in the 90s. The "Sasha and Digweed sound" doesn't exactly roll off the tongue. Out of the multitude of admittedly not so great labels you could attach to the mixes they put out at the height of their careers, "progressive house/trance" seems to me to be the least offensive.
I used to date a girl from Anchorage. She said that this show was for, "interesting and thoughtful people".
It didn't work out between us, but decades later, I keep trying this show to see if it's for me. I feel like one day it might be, if I'm in just the right place.
Funnily enough there's a Northern Exposure episode with a brief Twin Peaks parody. I think it was Russian Flu in season one. Joel and Elaine are on a trip, and they're shown around an area with a waterfall and viewing platform, like The Great Northern Hotel/White Tail Falls.
The scene is a pretty funny Twin Peaks parody, with music and visuals inspired by Twin Peaks, and includes a joke about seeing a woman holding a log... :)
Both shows were filmed around the same time and place in WA state and, as you note, had a kinda similar surrealist vibe. Which made watching them togeather kind of strange. Like Joel and his friends adorable hijinks were happening just down the street from a brutal murder investigation.
I had the same thought. Like its friendlier younger sister. I think Twin Peaks fans realised early on the main point of the show wasn't so much who killed Laura Palmer, but the weird and wonderful characters in the place. Northern Exposure doesn't really have a One-eyed Jacks or a Bob... But it does have a Bigfoot character that could be right out of it.
I'm not so sure about that assessment of Twin Peaks. Look at the back half of season 2, where the "weird and wonderful characters" become the focus of the show. It's barely watchable.
When Lynch came back for the final episode of that season he refocused it on Laura Palmer and brought back characters that hadn't been seen for many episodes, like Laura's mum or Audrey's brother. They weren't much fun, one being wracked by grief and the other mentally disabled. But that's what Twin Peaks is really about and what gave it staying power.
Everyone (including Diane Keaton when she directed an episode) seemed to think it was this kooky place and the weirdness was the point. There's plenty of fun there, but Lynch really understood it: hence Season 3 which gives you all of half an episode of Fun Dale Cooper before pulling the rug out from under you and reminding you that a girl was murdered and we shouldn't move on from that.
I got the impression at the time that Lynch was figuring it out as he went along. Some days that worked; some days it really didn't but mostly carried through on the strength of its performances.
I admit I haven't seen it since the original airing. I would likely evaluate it differently now.
Series 2 did overfocus on the characters, but the eccentric characters were there at the beginning. Log Lady was the most outlandish but Pete Martell and Audrey Horne get introduced early on and are quirky. Dale Cooper himself is pretty strange.
I always thought the most boring major character in Twin Peaks was James Hurley, the would be biker.
I never watched the third series. I think I got part way through the first episode and never bothered with the rest.
There were actually filming the same waterfalls from the opposite sides. And OFC the NE director was pretty much aware up to the point of making these references.
TP is about showing the actual dark side of the seemingly cozy rural towns and the American Dream. The Lodge are the dark secrets kept from the locals in order to function as a society and to keep that Romantic -in the German sense- imagery forever. But we all know that's doomed to fail somehow.
NE it's the opposite, it tries to bring some joy from the other stereotyped rural 'bumfuck helltown' to show up actually deep and educated people to the half-spolied urbanite guy. You can even see how die-hard conservatives learn from their opposites and how the urbanite pick ups some useful -real life- skills too.
With TP you are seeing the hidden 'dangers' of depicting a town as a postcard/desktop wallpaper. With NE you are watching what happens when the Romantic image shatters away... from day one, and for a much greater and cozier environment.
When I was a kid/teen and went into a village in Summer, the best moments where not just roaming around a place being 'frozen' in time, but with a pocket radio tuner and science magazines/books bought a few KMs away having the best of both sides (past and future). Oh, and the locals had really great books and music (a heavy metal/ rock compilation) too, in late 90's/early 00's.
I had forgotten Northern Exposure existed for 30 years until remembering it recently, and discovering that i had very fond memories of watching it on Irish tv as a teenager. There was something different about it, definitely going to watch it again
As many shows or films from that period the title was "customized" in Poland and "Northern Exposure" was known as "Przystanek Alaska" - "Station Alaska". My dad enjoy it especially credits with moose.
Apparently the moose in the credits was a bit of serendipity; it just randomly showed up on the day they were shooting, and they decided it would be perfect for the credits
The two leads, Rob Morrow and Janine Turner, are doing a rewatch podcast called Northern Disclosure. They seem to be in season 3 right now. No endorsement, haven't tried it myself.
Does Janine Turner reflect upon her time playing a strong independent woman who owned her own business in a male dominated field while being friends with an indigenous population? Because Janine Turner is... different.
The show has its moments - mature, intelligent, human moments found little elsewhere - but its an intelligence that struggles to escape very typical network sitcom trappings. One wishes it had gone a little more in the direction of M.A.S.H. and ditched the pretense of having to make jokes every minute.
I read it was partly inspired by "Local Hero" (Bill Forsyth movie). The visiting Russian singer felt like a direct lift of the visiting Russian fisherman in "Local Hero".
Yes it was :) I watched Local Hero after watching Northern Exposure and couldn’t shake the feeling that the visiting Russian felt eerily familiar. A little research revealed that Local Hero was a favourite of Northern Exposure writer Joshua Brand.
My 9th grade history teacher showed us S3E6 "The Body in Question" and it really stuck with me all the way through being an important part of my college thesis basically. I never actually watched any other episodes but I still think about Pierre and the distinction between truth and fact a lot.
When "Resident Alien" came out, we started watching it and I quipped to my wife, "oh, so this is 'Northern Exposure', but the out of touch, out of towner doctor pressed into small town service, constantly scheming to get out, is more likeable."
There is a touch of Mork and Mindy to Resident Alien too. But yes, I do see a bit of Northern Exposure in Resident Alien, and in Due South which popped along a few years later...
And a touch of Twin Peaks in Northern Exposure itself.
Due South… now there’s a name I have not heard in many years.
Youth in the 90’s had all sorts of quirky content available and we had enough free time to consume it all while doing a lot of nothing along the way (in a good way).
I was reminded of Due South a few years ago, because I was visiting someone who was watching it. Nowhere near as bizarre as TP or Northern Exposure, but it was there. Twin Peaks definitely opened the way for less formulaic material.
Even Malcolm in the Middle had some quirky Alaskan side plot with one of the brothers going over there and marrying a native woman.
One of my favorite shows, was happy to see it finally come to streaming a few years ago, came later than a lot of other older shows from the same time period.
I always felt this show was Twin Peaks' less menacing younger sister. It was mainly character driven, and those characters were very memorable (and mostly, but not always, lovable.)
There were some problems with it. The representation of the countryside as a magical other by city folk. The strange lack of families in Cicely (there are children but hardly any). I found the on-off relationship between the two leads to be more frustrating than exciting.
basically the same town. I think i'm in some episodes in the background of the bar. My friend used to go to a nearby university (CWU in Ellensburg) and went to visit him and we were grabbing pizza down the street from the bar they shot in (the brick saloon) and we got asked to be extras.
The writing is phenomenal. Sure, some things wouldn't get past studio execs these days but it holds up very well and there is a spirituality and positivity about it that sticks with you long after you finish watching the 110 episodes.
Very few shows like that, but Ted Lasso actually reminded me a lot of NEX in how it made me feel.
Another one with a similar feel is Bridget Christie's The Change, which she has cited Northern Exposure and Detectorists as inspirations.
I can't watch Northern Exposure anymore. It's too alienated from the modern world, it feels like an artifact from a different civilization rather than anything I can relate to now, which is sad.
Some of that weirdness was then further carried over by Kelley to Ally McBeal and Boston Legal.
Utter products of their time periods 90s and early aughts.
Chris reflects that in the future we won't need a lot of things that are part of society, due to technology like fibre optics. We'll watch cinema at home, and he wonders what will happen to these accidental social moments we have in places like cinemas and laundromats.
It was prescient, but the other part of Northern Exposure that sticks with me is the viewer is expected to sit through Chris's other conversations on the radio about Whitman, Jung, mythology, the nature of death, and other philosophical and artistic references.
I enjoy rewatching Northern Exposure, but it's sometimes disturbing how alien it feels today.
I'd have to respectfully disagree and feel the show holds up surprisingly well when you stick with it and forgive it the sort of things you would find in shows of that time. It's like a refuge from the dark and gritty stuff that you can't escape on streaming platforms these days.
About 10 years ago I bought the DVDs for my mother for her birthday and we watched some together, it really stood the test of time if you ask me.
She died last year, I’m glad we got the chance to share this and a few other nostalgic things over the past few years, we lived quite a long way away.
Call your mother!
One of my favorite shows.
One of my favorite scenes: https://vimeo.com/151017533
Makes me want to find all the old LEDs from broken kids toys and Christmas lights and wire them all up to a power supply...
But both him and Digweed did pioneer a unique sound in the 90s. The "Sasha and Digweed sound" doesn't exactly roll off the tongue. Out of the multitude of admittedly not so great labels you could attach to the mixes they put out at the height of their careers, "progressive house/trance" seems to me to be the least offensive.
I'm wondering what alternative you would suggest?
Northern Exposure Expedition 1999 is my fave.
Mono Culture - Free - Northern Exposure Expeditions
https://youtu.be/VPaebmeL4Y4
To do what I want to do
To say what I want to say
To be what I want to be... free
The Silence by Mike Koglin
https://www.youtube.com/watch?v=lHDdM_0sotY
Yeah, I was/am a Depeche Mode fan
It didn't work out between us, but decades later, I keep trying this show to see if it's for me. I feel like one day it might be, if I'm in just the right place.
The scene is a pretty funny Twin Peaks parody, with music and visuals inspired by Twin Peaks, and includes a joke about seeing a woman holding a log... :)
When Lynch came back for the final episode of that season he refocused it on Laura Palmer and brought back characters that hadn't been seen for many episodes, like Laura's mum or Audrey's brother. They weren't much fun, one being wracked by grief and the other mentally disabled. But that's what Twin Peaks is really about and what gave it staying power.
Everyone (including Diane Keaton when she directed an episode) seemed to think it was this kooky place and the weirdness was the point. There's plenty of fun there, but Lynch really understood it: hence Season 3 which gives you all of half an episode of Fun Dale Cooper before pulling the rug out from under you and reminding you that a girl was murdered and we shouldn't move on from that.
I admit I haven't seen it since the original airing. I would likely evaluate it differently now.
I always thought the most boring major character in Twin Peaks was James Hurley, the would be biker.
I never watched the third series. I think I got part way through the first episode and never bothered with the rest.
TP is about showing the actual dark side of the seemingly cozy rural towns and the American Dream. The Lodge are the dark secrets kept from the locals in order to function as a society and to keep that Romantic -in the German sense- imagery forever. But we all know that's doomed to fail somehow.
NE it's the opposite, it tries to bring some joy from the other stereotyped rural 'bumfuck helltown' to show up actually deep and educated people to the half-spolied urbanite guy. You can even see how die-hard conservatives learn from their opposites and how the urbanite pick ups some useful -real life- skills too.
With TP you are seeing the hidden 'dangers' of depicting a town as a postcard/desktop wallpaper. With NE you are watching what happens when the Romantic image shatters away... from day one, and for a much greater and cozier environment.
When I was a kid/teen and went into a village in Summer, the best moments where not just roaming around a place being 'frozen' in time, but with a pocket radio tuner and science magazines/books bought a few KMs away having the best of both sides (past and future). Oh, and the locals had really great books and music (a heavy metal/ rock compilation) too, in late 90's/early 00's.
Apparently the moose in the credits was a bit of serendipity; it just randomly showed up on the day they were shooting, and they decided it would be perfect for the credits
- I looked it up season 3 episode 18 "The Final Frontier".
But somehow, I really just wanted Tudyk to start killing everyone.
And a touch of Twin Peaks in Northern Exposure itself.
Youth in the 90’s had all sorts of quirky content available and we had enough free time to consume it all while doing a lot of nothing along the way (in a good way).
Even Malcolm in the Middle had some quirky Alaskan side plot with one of the brothers going over there and marrying a native woman.
There were some problems with it. The representation of the countryside as a magical other by city folk. The strange lack of families in Cicely (there are children but hardly any). I found the on-off relationship between the two leads to be more frustrating than exciting.